Photo Editor For Mac Photos

  1. Best Photo Editor For Mac
  2. Best Free Mac Photo Editor
  3. Free Photo Editor For Mac Like Photoshop
  4. Basic Photo Editor For Mac

Photos for OS X is designed to appeal to a broad audience, with simple editing tools that let anyone improve their photographs. But is that it? Even though it’s a 1.0 product (replacing iPhoto and Aperture), a lot of editing power is actually hidden beneath that user-friendly surface.

For example, when you edit a photo and click the Adjust button, you’re presented with sliders for improving light and color. Dragging a slider makes the image brighter or darker (Light), or more or less saturated (Color); you can also click the Auto button that appears when the mouse pointer moves over the tool. Clicking the down-facing arrow icon, however, exposes individual controls.

What edits can you make with this Mac photo editor? You can replace backgrounds, add artistic overlay effects, add watercolors, create a double exposure, paint effects over photos, create a visual text photo, add a motion blur, add custom frames and create a collage of effects.

That’s just the beginning.

Jump into editing

To access the editing view, normally you click the Edit button when viewing an image, but there’s a better way: simply press the Return key. This shortcut also works in the Moments view when a photo is selected.

Best Photo Editor For Mac

Shortcuts also go directly to specific tools, even if you’re not yet in the editing view. Press C to open the Crop tool, F for filters, A for the Adjust tool, R for the Retouch tool, and E for the Red-eye tool. While you’re editing, press the arrow keys to switch to the previous or next photo without leaving the editing view.

To compare your edits to the original version of the photo, press the M key for a quick before-and-after.

Choose which version to edit

If you shoot with your camera set to Raw+JPEG format (which records both a raw image and a high-resolution JPEG version), Photos treats the two separate images as one. However, the application defaults to editing the JPEG instead of the richer raw version.

To switch, open the photo in the editing view and choose Image > Use RAW as Original. (The option is disabled unless you’re in the editing view.)

Add more adjustments

The Light, Color, and Black & White adjustments in the Adjust tool are just the most common adjustments. Several more are available by clicking the Add menu (see image below). I find having the Histogram visible to be helpful, for example. If you use some controls regularly, such as White Balance, choose Save As Default at the bottom of the Add menu; those adjustments will appear every time you edit a photo.

Extend edit ranges

A funny thing happened one day when I accidentally pressed the Option key while editing a photo: The tick marks on several of the adjustment controls moved.

Many of the controls use a scale that ranges from –1.00 to +1.00, with the image’s original value sitting in the middle at zero. The Exposure control, for example, darkens the image significantly at –1.00, but doesn’t turn it black. When you hold Option, that range changes to between –2.00 and +2.00, letting you darken the photo even more (or go the other direction and brighten a dark photo).

This feature is also useful when you’re looking for more pop or an extreme treatment for a drab photo. In the images below, I’ve taken a photo of dried leaves and pushed the contrast to its initial maximum value of 1.00. With the Option key held, however, I can push that higher and get a more dramatic effect.

Multiple levels of Levels

The Histogram is good for identifying the color and tonal values in a photo, but it’s there just for reference. The Levels adjustment, however, lets you manipulate those values in some sophisticated ways. Choose Levels from the Add menu to view it.

Looking at a histogram, the left side represents dark values (with black at the far left) and the right side represents light values (with white at the far right). The colored areas within indicate the distribution of red, green, and blue (RGB) pixels within the scene. If you want to isolate and edit any of those channels, click the options menu that appears when you move your mouse cursor over the controls. You can also choose Luminance to view only the brightness values.

The teardrop-shaped handles at the bottom of the Levels histogram control (from left to right) the black point, midtones, and the white point. To brighten an image, for example, drag the white point to the left—the values to the right of the white point get pushed to their full luminance, increasing the overall brightness of the photo (see below).

Similarly, dragging the black point makes the image darker, and dragging the midtones lightens or darkens the values that fall between the light and dark extremes; the smaller handles that flank the midtones control affect shadows (left) and highlights (right). Sometimes, for instance, it may be better to adjust the midtones to brighten an image to avoid clipping, which is when pixels are pushed all the way to pure white or black.

There’s more to the Levels adjustment, however. The handles at the top of the Levels adjustment allow you to fine-tune the edits made with the bottom handles. In the image below, I’ve reduced the white point setting (by moving it to the right) so the lightest areas aren’t blown out, and then also dragged the top-center control to brighten the midtones. The result is a brighter, more saturated sky, but also detail in light areas such as the pyramid-topped building in the center of the skyline. You can also hold Option and drag a top handle to also move its connected bottom handle in unison, maintaining the relationship between the two.

Copy and paste adjustments

After you’ve edited a photo to your liking, you probably have similar shots taken at the same time that would benefit from those adjustments. Rather than try to replicate everything by hand, it’s much easier to copy the work you did on the first one and paste it onto another.

While you’re still in the editing view, choose Image > Copy Adjustments (or press Command-Shift-C). Next, switch to the unedited photo and choose Image > Paste Adjustments (or press Command-Shift-V). All the changes you made to the first apply to the second.

Looking ahead

These advanced or hidden editing features exist in the current 1.0.1 version of Photos for OS X, and there’s more to come. An update arriving with the upcoming OS X El Capitan will support editing extensions: third-party developers can create modules that will enable you to edit your images within Photos for OS X using the developer’s tools. This capability already exists on iOS—you can use the editing tools of Pixelmator or Camera Plus, to name just two examples, without leaving the Photos app on your iPhone or iPad.

For now, though, Photos for OS X turns out to be a much more capable photo editor than it first appears, which is a good place to start moving forward.

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You have a lot of factors to consider when deciding which is the best photo editor for macOS X, and the importance of the various elements will vary from user to user. Because of that, picking a single application must involve compromises as what is right for one user may be too basic, too complicated, or too expensive for another.

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Best High-End Photo Editors

If you have a completely open budget, then your best purchase is Adobe Photoshop. It was the original image editor and has been around since the old Apple Mac operating system. It's the industry-standard image editor and with good reason.

It's a hugely useful application with a comprehensive and well-considered feature set. Photoshop is equally well suited for home editing photos and producing creative and artistic raster images. Its development, especially since the introduction of the Creative Suite versions, has been evolutionary, rather than revolutionary. Each release sees it become an even more rounded and robust application that runs natively on OS X.

Other photo editors have drawn inspiration from Photoshop. However, few can match the feature set that allows for the flexibility of non-destructive adjustments, easily applied layer styles, and the powerful camera and lens-specific image corrections.

More Affordable Options for Photo Editing

If you have a limited budget, then you can't find cheaper than free, and that is what GIMP is. GIMP is a free and open-source alternative to Photoshop, though the developers deliberately discount this.

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GIMP is a powerful and flexible image editor that you can expand with free plugins. However, it isn't able to match Photoshop in several ways, including the lack of adjustment layers to make non-destructive edits to images and the flexibility of layer styles. Nonetheless, many users swear by GIMP and in the right hands, it can produce creative results that can match work produced by Photoshop. Sometimes GIMP can offer tools not available elsewhere. For example, the Resynthesizer plugin gave GIMP users a powerful, content-aware fill tool long before such a feature appeared in Photoshop CS5.

If you don't mind spending a little bit of money, though, you might also want to consider Pixelmator. It's a stylish and well-featured native photo editor for OS X.

Adobe Photoshop Elements is also a good, affordable alternative to the mainline product. It offers most of the features of Photoshop at a fraction of the price. It's certainly worth considering for home users, hobbyists, and even some professional work where advanced features are not needed.

Photo Editors for the Home User

Best Free Mac Photo Editor

OS X comes with the Preview application pre-installed, and for many users, this will offer enough tools and features to make simple adjustments to digital photos. However, if you're looking for a little more functionality without the steep learning curve of GIMP or Photoshop, Seashore would be well worth a look. And like GIMP, it's available for free.

Free Photo Editor For Mac Like Photoshop

This attractive photo editor has a clear and intuitive interface and a user guide that will take new users with little knowledge through the concept of layers and image effects. It would be a good stepping stone for a move onto a more powerful photo editor, though it's likely to offer more than enough functionality for a large number of users.

Basic Photo Editor For Mac

So Which is the Best Photo Editor for Mac OS X?

Trying to decide which is the best photo editor of OS X is a matter of determining which one does the best job of reaching various compromises.

All in all, we have to conclude that GIMP offers the best overall compromise. The fact that it is free means that absolutely anyone with an internet connection can use it. While it isn't the most powerful or best-featured app, it is near the top. Despite that, though, novice users can also use GIMP for simple jobs, without having to embark on the steep learning curve to make full use of every feature. Finally, with the ability to install plugins, it is possible that if GIMP doesn't do what you want it to, someone else may have already produced a plugin that will take care of it.