Before you drop $300 on the latest high-end headphones to listen to music on your iOS device, check to see whether an equalization (EQ) app can make your current cans, or even earbuds, sound like a million bucks—or at least close enough to that figure to satisfy your tastes.
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In an ideal listening environment, with perfect music files and perfect headphones, you wouldn't need to boost bass or tweak treble—so you wouldn’t need an equalizer for your music on your iOS device.
But most of us spend time listening on the train, at the gym, or while walking along city streets—situations that from an aural perspective fall far shy of perfection—and with less-than-perfect headphones. That’s where EQ can make a big difference.
EQ adjusts the frequencies of sound—or more precisely, of audio signals at particular frequencies, relative to other frequencies. A person with fairly pristine ears has a hearing range of from 20Hz to 20kHz (20,000Hz), with bass residing in the lower frequencies and treble tones at the higher end of the range. When you apply EQ to music, you can raise or lower specific frequencies. If you really like bass (or have a hard time hearing it), you can jack up the lower frequencies in the mix. If treble rankles your eardrums, you can push the higher-end frequencies down.
iOS’s built-in EQ
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EQ adjustments come in handy when you’re listening on the go, so it’s a shame that Apple parked its native EQ app in iOS 7 not within the Music app, as you might expect, but in Settings.
Go to Settings > Music and you’ll see EQ just below Sound Check. iOS 7 offers 23 preset equalizer settings, each based on a different combination of bass, midrange, and treble adjustments, and named (usually) for the genre of music Apple thinks they work well with: Electronic, Jazz, Hip Hop, and Rock, for example. The Bass Booster and Bass Reducer options do exactly what their names imply.
When you select an EQ option in Settings, it applies to all songs you play in the Music app. (Note that an EQ setting doesn’t actually change the source file; all of the adjustments it makes occur on the fly as the song plays.) But if you crave greater flexibility in your EQ settings, such as always using the Rock setting for Led Zeppelin but switching to Hip Hop for Eminem, you can turn to iTunes on your computer for help. Keep in mind, however, that iTunes Match and EQ don't appear to play well together.
Set EQ per song
To explore the EQ settings in iTunes, first choose Window > Equalizer to see a visual representation of the affected frequencies. Try selecting Treble Booster and then switch to Bass Booster and you’ll see a significant shift as the virtual knobs dance around to their new spots. By default, iTunes applies the EQ you select to all songs, but you can assign EQ settings on a per-song basis.
To do so, select a song and press Command-I to open the Get Info window. Click the Options tab, and you’ll see several settings that you can adjust for the song. In the Equalizer Preset pop-up menu, pick the setting you’d like for that song and click OK. Not only will the song always play with that EQ preset on your Mac, but the preset will carry over when you sync that song to an iOS device. If you create a custom preset in iTunes through the Equalizer window, however, those changes won’t carry over to your iOS device. Also, if the EQ on your iOS device is set to Off, the device will not play the preset you’ve selected for any song. And keep in mind that using EQ can have a negative impact on your battery life.
Other EQ apps
If you want more control over EQ in iOS 7—and you’re willing to forgo using the built-in Music app for playback—you can choose one of several apps that offer lots of additional flexibility and functionality. For example, Onkyo’s free HF Player brings touch control to custom EQ settings.
In the app, you select the song from your Music library, and then tap the Equalizer button. Push up on the frequencies you want to boost or drag down on the ones you want to lower. You can create detailed custom settings and save them for later use. Like the built-in iOS EQ, the app applies that preset to all songs, but switching within the app among your choices while you’re playing a song is a lot easier.
Aphex’s Audio Xciter takes a different approach to EQ. Instead of having access to specific frequencies, you control Tune, Harmonics, and Mix settings, which the app uses to tweak the sound output. The advantage of this method over a standard EQ is that the app keeps all the levels in the song balanced, resulting in a mix that hopefully is more similar to the original. The app requires a $1 in-app purchase to unlock this functionality, but you can try it for 5 minutes a day before you buy to see if it’s worth it.
The biggest drawback of most EQ apps is that they work only on DRM-free files hosted on your device; if you’ve joined the streaming music revolution from Beats, Spotify, Rdio, and others, you’re out of luck. If, on the other hand, you’re a fan of TuneIn’s streaming radio options, check out Elephantcandy’s $5 Radio EQu. It applies preset or custom EQ to any station available through TuneIn. (The developer says that the current version of the app has issues with the 64-bit architecture of the iPhone 5s and the iPad Air, but promises that a fix is in the works.)
Whichever option you try, you owe it to your ears to give an EQ app a try. You may find a whole new world of listening—no new headphones required.
A Recording Studio for Your PC
There has never been a better time to buy digital audio workstation (DAW) software. Twenty years ago, to record a music album at a professional level, you needed a sizable mixing console, several eight-track digital records (such as ADATs or DA-88s), and a good selection of outboard compressors, reverb units, and other effects, plus a two-track deck to mix down to. In other words, you were looking at about $10K to $15K worth of gear to start—and that's before you got to microphones, speakers, and other accessories.
If you were on a budget, you'd probably stick with a tried-and-true Tascam or Yamaha four-track tape recorder and Alesis compressor, get used to bouncing tracks in mono, make peace with tape hiss, and remember to clean the tape heads every week. And you'd be sharply limited in the kinds of projects you could produce. The only easy multitrack recording you could do at the time was with MIDI, with hardware synthesizers or samplers, and maybe with a Mac or an Atari ST computer attached as a sequencer.
It's an entirely different world now. Software packages that cost a few hundred dollars now deliver hundreds of audio tracks and incredibly flexible editing. Some programs are even free. You can create as many instances of effects plug-ins as you want, including spot-on emulations of compressors that cost several thousand dollars each, and attach them to as many mixer channels as you want. It's all nearly unlimited and 'in the box' now.
Choosing the Right DAW
From the standpoint of someone recording 20 or 30 years ago, a DAW today is like a giant candy store; it's as if you can do almost anything. For the newcomer, though, it may seem almost hopelessly complex. Choosing the right audio software can be quite difficult. Most of the famous packages like Pro Tools and Logic have been around for decades. They've grown incredibly powerful, and as a result have user interfaces that are as complex as…well, professional mix consoles.
So how to decide? To help with this task, we went out and tested the most popular DAWs. Numerous venerable (and excellent) recording magazines have reviewed these applications many times over the years. That's great for the existing user base of each DAW, but maybe not always quite as clear for newcomers. In each of our reviews, we did our best to approach each product as a whole, rather than devoting the majority of the space to just the latest features that were added in the most recent point update.
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Before we get to the specifics, the simplest program for audio editing is a two-track editor; probably the most famous example here is the free Audacity. While Audacity aspires to some extremely basic multitrack recording with overdubs, its real use is as a solid stereo editor. If you're recording a podcast or editing a clip of your kid's piano recital that you recorded on your phone, Audacity is an excellent choice; you can probably start and stop there. If you need something more sophisticated, read on.
It helps to think about the kinds of projects you want to create. Are you planning on producing beats for hip-hop or fully electronic compositions? Do you want to record multiple musicians playing live instruments at once? Will you be using your setup to score for
What Comes With Each DAW?
The good news is all of the packages can we tested can more or less do all of the above tasks, with a few notable exceptions. The trick is that each program has strengths in different areas, and some tasks may be a bit more complicated in one than they are in another. One overarching rule to decide faster is to look at what your colleagues or friends are using, and then choose the same package. That makes it easier to share tips or even projects between each other, rather than being the
Another is to look at what's bundled with each program. Would you prefer a DAW that comes with a ton of virtual instrument sounds, such as synthesizers, sampled violins, guitars, and electric basses? You may want to look at something like Logic Pro X, Cubase Pro, or Studio One, all of which include many gigabytes of sounds and loops. Do you have or plan to buy your own instrument plug-ins you want to use? Reaper is a fully stripped down DAW at an excellent price, and it makes an excellent host for third-party VSTs. It's also great if you're recording a band full of live instruments and don't need much in the way of virtual ones. Do your tastes lean toward the electronic and synthesized realm? FL Studio, Reason, and Ableton Live
Often, it comes down to the details and the editing philosophies. Do you prefer pattern-based recording for electronic music? FL Studio is going to have plenty to offer. Would you rather have a 'do-it-all' DAW with a large built-in sound library at a low price? PreSonus Studio One beckons. Do you want to not just be able to bring projects into major studios, but collaborate online and also open sessions directly as you work on them with others? It's impossible to top Avid's Pro Tools for this. Is the music already done, and you work in post-production and want to produce more professional podcasts or videos? Adobe Audition is a prime contender for these tasks. And if you've got a Mac, it's worth giving the free GarageBand a spin, if only because it's more powerful than it ever was and you already own it.
How Much Do You Want to Spend?
Closely correlated to the bundled instruments and effects is price, and that's a factor that can cloud the issue a bit. Many of the top-tier packages also have less expensive (or even free), feature-limited editions available. It's not as simple as saying 'Reaper is a budget DAW at $60 and Studio One 3 is a professional-level DAW at $399,' because you can also buy the stripped-down (but still pretty feature-rich) Studio One Artist for $99. What do you lose? What do you gain? We try and touch on this as much as possible within each review.
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Which DAW Is Right for You?
In short, read our reviews (linked below) and try some demos where you can. But otherwise, don't sweat it too much. We spent countless hours testing these products and putting together both the reviews and this guide. Despite the complexity of the software here, we've found it's honestly tough to go wrong. It's not like computers or cameras, where you can clearly see that of the latest crop of products, a few perform well and a few don't perform as well as the leaders. These are all mature, well-established products, each with thousands of fans.
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As a result, more than half of the packages in this roundup score at least four out of five stars. You can get professional-level results with all of them. Each has some specific workflows that work really, really well for some people—hence the endless 'X is the best and Y is garbage' arguments on the internet—but they all can work for just about anyone.
Even so, we single out two DAWs, one on the Mac and one on the PC, for Editors' Choice awards: Apple Logic Pro X, for its absolutely unbeatable value with its built-in instruments and effects plug-ins, and Avid Pro Tools, for its seamless audio editing and suitability up and down the pro studio chain. But we'd happily use any of the programs listed below for new projects. Choose one, learn its secrets, and get to work creating and editing amazing music and audio projects.
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Best Audio Editing Software Featured in This Roundup:
Avid Pro Tools Review
MSRP: $599.00
Pros: Still the cleanest audio editing workflow on the planet. Fast 64-bit recording and mixing engine. New cloud-based project collaboration tools. Robust, useful track freeze and commit options. High-end hardware and support policies are tops in the industry.
Cons: Lacks built-in pitch correction. No VST plug-in support or instrument track presets. USB dongle-based copy protection. Monthly fee required for new software patches past 12 months.
Bottom Line: Avid stays the course with Pro Tools and maintains its status as the standard cross-platform solution for professional audio editing work for music, film, games, and broadcast.
Read ReviewImage-Line FL Studio Review
MSRP: $299.00
Pros: Vector-based interface is attractively animated, and supports 4K, multi-monitor, and multitouch configurations. Brilliant loop and pattern-based MIDI composition tools. Visible automation clips are easy to manipulate. Light memory footprint. Free lifetime updates.
Cons: Convoluted, inflexible audio recording (in higher-priced versions). Must manually assign instrument tracks to mixer channels. Built-in sound library could use some updating. Lacks notation editor.
Bottom Line: If you want to produce some of today's slickest beats, right up to full electronic dance music tracks, FL Studio could be the ideal key to unlock your creativity.
Read ReviewAdobe Audition CC Review
MSRP: $20.99
Pros: Strong audio-restoration, sound-removal, and noise-reduction tools. Excellent stereo waveform editor. Useful visualization tools. Adheres to film and television broadcast standards for audio.
Cons: Lacks MIDI support. Only available via an expensive monthly subscription.
Bottom Line: Audition is a comprehensive audio editor for video post-production, podcasts, and audio restoration. It's expensive for what you get, though, and makes the most sense as a supplement to a video editor or as part of an existing CC subscription.
Read ReviewSteinberg Cubase Pro Review
MSRP: $559.99
Pros: Comprehensive editing and automation support. Robust plug-in bundle. Powerful mixer. Rock-solid stability.
Cons: Expensive. Dongle-based hardware copy protection.
Bottom Line: Steinberg Cubase Pro is a top-notch digital audio workstation particularly suited to MIDI and virtual instrument composers.
Read ReviewAbleton Live Review
MSRP: $749.00
Pros: Inspirational clip-based live and composition workflow. Fast navigation. Powerful automation. Suite version contains plenty of sample material to work with.
Cons: No track comping. No notation view. No pitch correction tool. Mixer view could be more robust.
Bottom Line: In its latest iteration, Ableton Live is a powerful all-in-the-box solution for composing music, particularly electronic-influenced, but it's not for everyone.
Read ReviewPreSonus Studio One Review
MSRP: $399.00
Pros: Fast workflow for music composition and audio recording. Robust included sound sets. Attractive drag-and-drop interface. Powerful free version. Multitouch-enabled on the Windows side.
Cons: No notation editor. No easy way to import session data or save I/O templates. MIDI editing is still weaker than the competition. Cluttered mixing console.
Bottom Line: PreSonus reinvented the common digital audio workstation in 2008 with Studio One; the latest version is the most inspired yet.
Read ReviewPropellerhead Reason Review
MSRP: $399.00
Pros: Versatile array of bundled instruments. Awesome sound set serves as instant inspiration for new electronic tracks. Fast composition workflow. SSL-style mix compression and EQ.
Cons: Aging rackmount-and-patch-cable UI idiom. No surround or scoring features. Track editing still lags the competition.
Bottom Line: Despite its flaws, it's tough to knock Reason as an all-in-one recording, mixing, and mastering tool, particularly if you're into electronic or hip-hop music and want a tremendous array of sounds and beats right out of the gate. It's still as much fun to use as it has always been.
Read ReviewCockos Reaper Review
MSRP: $60.00
Pros: Multi-channel audio recording, mixing, and mastering at a bargain price. Heavily customizable. Fast. Extremely light memory footprint.
Cons: No built-in instruments or loops. Uninviting, unintuitive interface.
Bottom Line: Reaper offers nearly all of the features and flexibility, if not the ease of use or visual appeal, of powerhouse digital audio workstations like Pro Tools at a fraction of the cost.
Read ReviewApple Logic Pro X (for Mac) Review
MSRP: $199.99
Pros: Excellent value. Stunning array of bundled instruments and effects. Terrific interface. No copy protection, unlike many competitors.
Cons: A few older plug-ins still need a UI makeover.
Bottom Line: Apple Logic Pro X 10.4 is a tremendous update to an already-excellent digital audio workstation, and if you own Logic Pro X, it's free.
Read ReviewAudacity Review
MSRP: $0.00
Pros: Free. Lots of editing options ideal for dialogue, sound effects, and trimming music tracks. Supports multitrack audio and batch processing.
Cons: Destructive editing only. Multitrack audio support is exceedingly basic.
Bottom Line: If you're looking to get started in podcasting or recording�music, it's tough to go wrong with Audacity. A powerful, free, open-source audio editor that's been available for years, Audacity is still the go-to choice for quick-and-dirty audio work.
Read Review
Best Audio Editing Software Featured in This Roundup:
Avid Pro Tools Review
MSRP: $599.00Pros: Still the cleanest audio editing workflow on the planet. Fast 64-bit recording and mixing engine. New cloud-based project collaboration tools. Robust, useful track freeze and commit options. High-end hardware and support policies are tops in the industry.
Cons: Lacks built-in pitch correction. No VST plug-in support or instrument track presets. USB dongle-based copy protection. Monthly fee required for new software patches past 12 months.
Bottom Line: Avid stays the course with Pro Tools and maintains its status as the standard cross-platform solution for professional audio editing work for music, film, games, and broadcast.
Read ReviewImage-Line FL Studio Review
MSRP: $299.00Pros: Vector-based interface is attractively animated, and supports 4K, multi-monitor, and multitouch configurations. Brilliant loop and pattern-based MIDI composition tools. Visible automation clips are easy to manipulate. Light memory footprint. Free lifetime updates.
Cons: Convoluted, inflexible audio recording (in higher-priced versions). Must manually assign instrument tracks to mixer channels. Built-in sound library could use some updating. Lacks notation editor.
Bottom Line: If you want to produce some of today's slickest beats, right up to full electronic dance music tracks, FL Studio could be the ideal key to unlock your creativity.
Read ReviewAdobe Audition CC Review
MSRP: $20.99Pros: Strong audio-restoration, sound-removal, and noise-reduction tools. Excellent stereo waveform editor. Useful visualization tools. Adheres to film and television broadcast standards for audio.
Cons: Lacks MIDI support. Only available via an expensive monthly subscription.
Bottom Line: Audition is a comprehensive audio editor for video post-production, podcasts, and audio restoration. It's expensive for what you get, though, and makes the most sense as a supplement to a video editor or as part of an existing CC subscription.
Read ReviewSteinberg Cubase Pro Review
MSRP: $559.99Pros: Comprehensive editing and automation support. Robust plug-in bundle. Powerful mixer. Rock-solid stability.
Cons: Expensive. Dongle-based hardware copy protection.
Bottom Line: Steinberg Cubase Pro is a top-notch digital audio workstation particularly suited to MIDI and virtual instrument composers.
Read ReviewAbleton Live Review
MSRP: $749.00Pros: Inspirational clip-based live and composition workflow. Fast navigation. Powerful automation. Suite version contains plenty of sample material to work with.
Cons: No track comping. No notation view. No pitch correction tool. Mixer view could be more robust.
Bottom Line: In its latest iteration, Ableton Live is a powerful all-in-the-box solution for composing music, particularly electronic-influenced, but it's not for everyone.
Read ReviewPreSonus Studio One Review
MSRP: $399.00Pros: Fast workflow for music composition and audio recording. Robust included sound sets. Attractive drag-and-drop interface. Powerful free version. Multitouch-enabled on the Windows side.
Cons: No notation editor. No easy way to import session data or save I/O templates. MIDI editing is still weaker than the competition. Cluttered mixing console.
Bottom Line: PreSonus reinvented the common digital audio workstation in 2008 with Studio One; the latest version is the most inspired yet.
Read ReviewPropellerhead Reason Review
MSRP: $399.00Pros: Versatile array of bundled instruments. Awesome sound set serves as instant inspiration for new electronic tracks. Fast composition workflow. SSL-style mix compression and EQ.
Cons: Aging rackmount-and-patch-cable UI idiom. No surround or scoring features. Track editing still lags the competition.
Bottom Line: Despite its flaws, it's tough to knock Reason as an all-in-one recording, mixing, and mastering tool, particularly if you're into electronic or hip-hop music and want a tremendous array of sounds and beats right out of the gate. It's still as much fun to use as it has always been.
Read ReviewCockos Reaper Review
MSRP: $60.00Pros: Multi-channel audio recording, mixing, and mastering at a bargain price. Heavily customizable. Fast. Extremely light memory footprint.
Cons: No built-in instruments or loops. Uninviting, unintuitive interface.
Bottom Line: Reaper offers nearly all of the features and flexibility, if not the ease of use or visual appeal, of powerhouse digital audio workstations like Pro Tools at a fraction of the cost.
Read ReviewApple Logic Pro X (for Mac) Review
MSRP: $199.99Pros: Excellent value. Stunning array of bundled instruments and effects. Terrific interface. No copy protection, unlike many competitors.
Cons: A few older plug-ins still need a UI makeover.
Bottom Line: Apple Logic Pro X 10.4 is a tremendous update to an already-excellent digital audio workstation, and if you own Logic Pro X, it's free.
Read ReviewAudacity Review
MSRP: $0.00Pros: Free. Lots of editing options ideal for dialogue, sound effects, and trimming music tracks. Supports multitrack audio and batch processing.
Cons: Destructive editing only. Multitrack audio support is exceedingly basic.
Bottom Line: If you're looking to get started in podcasting or recording�music, it's tough to go wrong with Audacity. A powerful, free, open-source audio editor that's been available for years, Audacity is still the go-to choice for quick-and-dirty audio work.
Read Review